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When
I was in Australia, I visited Coober Pedy and bought this postcard
showing a local living room. Coober Pedy is an opal-mining settlement
in one of the most inhospitable regions of the Australian outback.
The Coober Pedy postcard included something very familiar to me,
a seascape shown over the sideboard. There was something poignant
about these waves hundreds of miles from any ocean. This particular
kind of mass-produced seascape exists in England only as miniatures
on old postcards. The combination of symbols in the Coober Pedy
postcard - desert, cave, and sea - led me to muse on deeper psychological
issues, while the two sorts of 'art' - decor and reproduction -
suggested other kinds of intriguing relationships. Finally, 'it
made sense' to bring this postcard home to England and paint studies
which return the image to some kind of 'original' state, completing
the cycle.
Susan Hiller, 1983.
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