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Susan
Hiller
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Recycled
Works, 1972 -ongoing
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Hand Grenades. Ashes of burnt paintings
in glass
jars with stoppers and labels, in glass bowl.
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Collected
Works 1968-72. Ashes of paintings in test
tube w. rubber stopper, tagged with signature & date.
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Recent
Works, 1972-73. Ashes of burnt paintings in glass cylinder
w.rubber stopper; glass pestle; both with title & signature.
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Recent Works, 1973-74. Ashes of burnt paintings in glass cylinder
w. rubber stopper; glass thermometer; both tagged with title
& signature.
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Measure
by Measure,
1973 - ongoing (Detail)
Paintings burnt annually, in glass burettes, on shelf.
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" By burning a number of paintings and then retaining their
ashes in a slightly scientistic archive, Hiller can be said to be
clearing cultural ground. Other artists have made a big deal about
destroying their work. But Hiller's act is one of transubstantiation
through immolation. This suggests that her orientation toward conceptual
art is deeply consistent with her prior critique of anthropology.
In both cases, we are confronted with a 'remainder' and left searching
for the meaning of a cultural practice which comes to us in an utterly
fragmented form or as a transient moment in our life-world."
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Michael
Corris, Susan Hiller's Brain, 1994
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Section
2: Painting Blocks
Section 3: Painting Books
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