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Susan
Hiller
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Belshazzar's
Feast
1983-4
20-minute single-screen installed video programme, configuration
and size variable
|

Long
Beach, California
Caracas,
Venezuela
Tate
Gallery, London
|
"
... Like
the flames...the singing sounds are both beautiful and scary, nourishing
(lullabies) and fearful (spells or dirges)... As the video's sounds
evoke emotions, and the dancing ideograms of the flames evoke images,
viewers are forced to make their own pictures, create their own fantasies
or content, since the subject matter remains 'out of sight'. Neither
the Rembrandt painting nor the news headlines, and certainly not the
faces of the aliens and the dreadful messages they convey are ever
seen... The layers of Belshazzar's Feast peel away from form (handsomely
seductive, titillating disjunctive) to subject matter (home, holocaust,
the media) and finally to content - what emerges and recedes from
the 'faults' in the other two..." |
|
Lucy
Lippard, Out of Bounds, 1986
|
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